Pages

17 February 2013

Beauty Destination: Brush Shopping in Tokyo

One of my favourite things about Japan is the extreme specialisation and pride that people take in their work -- even the most seemingly menial tasks are executed diligently and beautifully. I went to a gyoza restaurant recently (one of the tiny one room mom and pop shop type places) and watched in awe as the old man behind the counter churned out hundreds of dumpling shells. He must have done it every day for years, and he did it with such perfection. There was no sense of the mundanity of a repetitive task, but rather someone performing their chosen craft. I have a real soft spot for this side of Japanese life. I quite often see restaurants and shops which only sell one thing and never seem to have any customers. They must be entirely financially unviable, but are clearly the product of a dearly held dream -- run for love not money.

I also love the regional specialisation (I believe this is called meibutsu). Some people dislike this as they see it as perpetuating the omiyage culture (obligatory gift-buying whenever you go on holiday which seems to function almost as repentance for letting your work colleagues down by your absence), but I love the sense of pride and quality that it encapsulates. Small-scale regional manufacturers turning out hand-crafted wares also means small production runs, limited availability and high price points, which I think helps engender the cult status of many Japanese-made goods. For example, Japanese denim, produced on small looms in Kojima, Okayama prefecture, is considered by many to be the best in the world (for more information see this SOAS research piece).

Similar cult status is afforded to Japanese make-up brushes. The town of Kumano, near Hiroshima, is famous for the production of hand-made brushes (not just make-up tools, also calligraphy and art brushes), known as Kumano Fude. There are around 30 different brush companies based in Kumano. The brushes are so prized because the highly-skilled craftsmen hand select the (usually uncut animal) hairs for each brush to produce perfectly weighted, beautiful quality brushes. Each stage of the process is typically performed by a specialised craftsman -- from hair selection to bundling the head, producing the handles, attaching the ferrule and so on. For more information on the history and manufacture process see the Kumano Fude website

The best known Kumano companies are probably Hakuhodo and Chikuhodo. As well as producing their own-brand brushes, they also make them for a number of other companies. For example, Suqqu, RMK and Kanebo brushes are made by Chikuhodo and Hakuhodo produces brushes for Tom Ford (and formerly MAC).

This post isn't going to be a guide to Haku and Chiku brushes, but rather a quick outline of where you can find them in Tokyo. For those stuck on where to begin deciding what to buy, there are some excellent blog posts introducing the lines. I particularly recommend the following:
  1. Glossed in Translation's Hakuhodo series, which includes a very useful introductory post and buying guide;
  2. Diabolus in Cosmetica's introduction to Chikuhodo and Hakuhodo brushes;
  3. Sweet Make-up Temptations, which contains a huge amount of information -- I won't link a specific post as there are so many, but I definitely recommend visiting Sonia's blog if you're interested in brushes; and
  4. Drivel About Frivol for a number of really helpful comparison posts.

View Brush shopping in Tokyo in a larger map

Hakuhodo brushes are fairly widely available across Tokyo. There are counters at a number of department stores, including Mitsukoshi Ginza and Tobu Ikebukuro (see my department store guides here and here). However, the counters only carry a small number of the huge range of Haku brushes so if you have time I highly recommend paying a visit to their Aoyama boutique in Omotesando. As with most places in Tokyo, it's quite difficult to find and it's almost essential to have a Google Maps app. A bonus is that once you do finally find it, the shop is just down the road from the excellent Kua 'Aina Hawaiian burger cafe.

The Omotesando shop sells the full range of brushes, which is extensive -- as you can see from my dodgy iPhone pics below.



Until recently it wasn't possible to buy Chikuhodo brushes in Tokyo other than at the occasional temporary pop-up stand in major department stores.

Fortunately last summer they opened a counter at the TAU Hiroshima brand shop in Ginza. The Kumano Fude shop on the 2nd floor sells a selection of brushes produced by Chikuhodo, Koyudo, Tanseido, Kyukasangyo, Nakamura and Mizuho Brush.

This is a genuinely fascinating little shop. I find the staff unfailingly helpful. They also let me play with the Kiwami set so I obviously love them. The shop doesn't carry every single Chiku brush, but they do have a good selection and stock most of the Artist and Z series.

Note that Chikuhodo still have the travelling department store counters. Details of these are listed on their website under 'What's New' (non-Japanese speakers will need to use Google translate).
 
Hopefully I will at some point get around to writing a post on my favourite Haku and Chiku brushes. I am also keen to pay a trip to Kumano and visit the museum there...

03 February 2013

Sunday Swatches - Suqqu Spring 2013 Collection

Suqqu's Spring-Summer 2013 collection, which was released in Japan on 1 February, celebrates the brand's 10th anniversary. As far as I can tell, it's entitled 「大人のための、魅せる艶めき」with the tagline「美人なんて、目元しだい」which I am translating (no doubt very badly) as 'to make adults bewitching and beautiful' and 'beauty is in the eyes' (improvements on this effort welcomed...). 

The collection comprises:
  • three Blend Colour Eyeshadow Quads in EX-11 菫珠 Sumiredama (Violet Pearl), EX-12 翡翠珠 Hisuidama (Jade Pearl) and EX-13 銀薄珠 Ginusudama (Light Silver Pearl);
  • a new Face Colour Palette EX-02;
  • three Creamy Glow Moist Lipsticks in EX-08 珊瑚珠 Sangodama (Coral Pearl), EX-09 瑚珀珠 Kohakudama (Amber Pearl) and EX-10 蕾珠 Tsubomidama (Flower Bud Pearl);
  • two Nail Colours in EX-01 瑠璃珠 Ruridama (Azure Pearl) and EX-02 桜珠 Sakuradama (Cherry Blossom Pearl); and
  • Eyeliner Creamy in EX-02 Navy.
All the new releases are limited edition. As you might have guessed from the shade names, the theme of this collection is 'vintage pearl'. All the products are swatched below (click on the pictures to enlarge). For reference, everything is swatched on off-white paper (sorry for the lack of skin swatches -- I didn't have enough arm space or time as the light was fading). You may have to angle your screens for the lightest pans in the eyeshadow quads and the left pan of the Face Colour Palette :/.


For me, the stars of the collection are the three new eyeshadow quads. It's extremely hard to do them justice in a photograph because the shades are so complex and it's very hard to capture the duochrome effect. Unhelpfully, I didn't swatch the quads in the correct pan order, but hopefully you get the idea...



Angled to show the sparkles and true colour complexity.


EX-11 Sumiredama is my favourite of the three. It has a delicate golden shimmer, a slightly peachy pink highlight shade, a duochrome brown-taupe with blue-green reflects and a purple with similar blue-green reflects.


EX-12 Hisuidama reminds me of the limited edition EX-08 Hanamari palette released at the end of 2012 (swatched beautifully by Glossed in Translation). It has a similar cherry blossom feel (note that I haven't seen EX-08 Hanamari in person as it was a Hankyu Osaka/Selfridges UK exclusive).

This quad consists of a white silver pan, a candy pink, a mossy sage green and a cool grey-brown. Of the three palettes this has the least duochrome effect.



Finally, EX-13 Ginusudama. This was by far the hardest to photograph. The bottom left pan appears simultaneously purple, gray, blue and green! I would actually describe it as a slightly purpled grey with strong blue-green duochrome. The blue-green is much more predominant in real life -- I couldn't get it to show up properly on camera. The other three pans are a delicate white sparkle, a warm brown and a pink.

Just pictures for the rest of the collection, with a couple of notes -- to my eyes the Creamy Glow Moist Lipsticks don't have any shimmer/sparkle and the Eyeliner Creamy is another difficult to photograph shade. My pictures don't capture the almost metallic blue sparkle laid over the inky blue base.

*UPDATE - another note: the left hand pan of the Face Colour Palette is less all-over finishing powder, more shimmery sheeny highlighter.




For more pictures and swatches see Sonia's Sweet Make-up Temptations post. Sonia also has a fantastic post FULL of Suqqu swatches from her very impressive collection here.

Note that eyeshadow quads 07 Komorebi and 08 Mizuaoi (plus the limited edition quad EX-07 Tsukiakari from Autumn 2012) have been discontinued and are no longer available on counter in Japan.

As ever, if you any have questions let me know in the comments below :).

19 January 2013

Beauty Destination - Kyoto

I use the term 'beauty destination' fairly loosely for Kyoto, because of course there are so many wonderful and beautiful sights to be seen that make-up shopping is probably not very high up most people's to-do list. However, not every visitor to Japan travels via Tokyo so I thought it might be useful to show what you can find in Kyoto. There are also a couple of Kyoto-exclusives that are worth a little look.


View Beauty Destination - Kyoto in a larger map

In terms of general beauty shopping, Kyoto has a few department stores. There is a branch of Isetan in the station which stocks Helen Rubenstein, Anna Sui, RMK, Shu Uemura, Kanebo and more. It also has a little offshoot (Suvaco Isetan) which houses drugstore lines plus mid-range brands including MAC and L'Occitane. 

Downtown Kyoto is the most obvious place to head for department store shopping. Here you will find Takashimaya and Daimaru, which between them stock most major beauty lines. Note that, as far as I know, neither Addiction nor Suqqu are available in Kyoto. My other most favoured Japanese brand, THREE, has a small counter in Takashimaya. There is also a branch of OPAQUE in Downtown Kyoto which sells a selection of 'natural' beauty lines including Jurlique, John Masters Organics and Erbaviva. For drugstore products and other curiosities head to LOFT.

Yojiya
Kyoto's most famous beauty brand is Yojiya, which was founded in 1904 and is probably best-known for its blotting papers. There are a number of Yojiya stores dotted around Kyoto -- you can spot them by looking for the mirror/head logo. Other than at a couple of counters at Narita, Haneda and Kansai airports, Yojiya products are not available outside Kyoto.

The Yojiya website has a full list of the Kyoto store locations. There is one in Downtown Kyoto and a large store in Gion. There is also a pretty shop and garden just off the Philosopher's Walk en route to Ginkaku-ji (for me the most beautiful of Kyoto's temples).

Chidoriya
As well as the blotting papers, Yojiya also produces a number of skincare products plus some colour cosmetics and brushes. I only saw the make-up and brushes on sale in the Gion store. I was most interested in the lip creams, but skipped them as they seemed too sticky to double up as cream blushers. See Messy Wands for reviews of a Yojiya lipstick and cheek brush.

Also just off the Philosopher's Walk is Chidoriya, which sells a range of natural/organic Japanese beauty products and accessories. Chidoriya products are carried by a number of stores in Tokyo and the US, but the only free-standing store is in Kyoto. There is also a little salon next to the shop. I had to work quite hard not to buy everything in this shop. I managed to limit myself to the Nail Treatment Oil, which is lovely (if very expensive). Interestingly for a brand which markets itself as selling Japanese products, an awful lot of them are made in the USA (including the nail oil).

Make-up aside, this post is really just an excuse for me to spam you with some photos from my most recent trip to Kyoto. I went in November at the height of koyo season -- it was gloriously beautiful (if very crowded). 
Clockwise from top left: koyo at Kinkaku-ji, Kinkaku-ji, more koyo, gardens at Ginkaku-ji (I love seeing propped-up trees), Ginkaku-ji.
Clockwise from top left: lots of temples have a little spot for a cup of matcha and a sweet, Gion, Kinkaku-ji koyo, gardens at Ginkaku-ji.
Have you visited Kyoto? Is there anywhere you think I should add to my list? Let me know!

16 January 2013

Mascara Review: Giorgio Armani Eyes To Kill Excess

A mini(ish) review today of the black mascara I am currently using -- Giorgio Armani Eyes to Kill Excess.

I bought this from Selfridges when I was briefly in the UK a few months ago, but only opened it recently. Given their short shelf life I try to limit the number of mascaras I have on the go at any one time. This was a repurchase so I must have liked the mascara previously (I think I first got it around last April). Sadly I am not particularly enamoured this time around -- perhaps my expectations have grown.

My basic mascara requirements are as follows:
1) must give good volume (my lashes are longish but spindly);
2) absolutely no smudging or flaking; and
3) should be easy to remove without industrial strength products.

My lashes are naturally quite curly so I don't need any special formulation to hold a curl. I usually avoid waterproof formulas and Japanese mascaras because I don't need the technology and they are such a terrible pain to remove (even with something like Kiss Me Heroine Make Mascara Remover longest name ever).

Onto the Armani. Good points are -- it's nice and black and it has a bristly wand that's easy to use and doesn't poke you in the eye like some of the plastic ones. Unlike many mascaras I find I can apply this without smudging it all over my eyelid in the process. But... it's just not enough. I want more volume, dammit! See below:

Lashes curled (badly) with elderly Shu Uemura curlers and eyebrows filled in with Suqqu Eyebrow Liquid Pen in 02 Brown
I think my lashes still look pretty spindly (apart from where they've stuck together). Two coats might provide greater volume, but unfortunately this mascara is quite liquidy and tends to glue all my lashes into a single blob if I apply more than one layer. I would say that ETK Excess is a good option for anyone looking for a day time mascara that offers a little volume and length while still looking quite natural BUT it flakes during the day and leaves me with a speckled face, which is obviously unforgivable (especially because it cost £24.50).

So, I'm on the look out for a new mascara that meets my unrealistic exacting criteria. Let me know if you have any recommendations :).

09 January 2013

Addiction Nail Polish in 012 Singita, 021 Private Jet and 025 Out of the Blue

With apologies for the lengthy absence, I am attempting to ease myself back into blogging with a(nother) nail polish post. 

It's a sad fact of my cosmetics habit that that as I try to reduce my make-up consumption, my expenditure on nail polish increases exponentially. Whilst I have managed to restrain (ish) myself for the last couple of months from purchasing make-up with the usual wild abandon, my nail polish stash has already grown considerably since my round-up post in November. 

I recently purchased three Addiction nail polishes and so far I'm pretty impressed. As is to be expected from Addiction, the colour range on offer is great -- a lovely mix of brights and neutrals. I plumped for 012 Singita, a mushroomy brown, 021 Private Jet, a grey-brown taupe with a hint of mauve (apparently their best-selling shade) and 025 Out of the Blue, an almost navy blue.

Note: each swatch is two coats topped with Majolica Majorca Glass Drop Nail Gel Top Coat
I am a big fan of the formula. It's thin and applies very easily and smoothly. It is a little on the sheer side so the lighter shades need three coats to reach full opacity. Normally this bothers me but because the polish is so thin the extra coat doesn't seem to affect the (very quick) drying time. The brush is a perfect size for my nails -- thinner than a Dior brush but thick enough to cover most of the nail (making it easy to apply using the three stroke method). As for longevity, this is just ok... I confess it's quite difficult for me to speak to this as I usually get bored quickly and don't often give polish the chance to last several days, but with each of these shades I found there was some tip wear within 24 hours of application albeit no major chipping.

For Spring 2013 Addiction has released the Girl on Fire collection which includes five new nail polishes and matching lip glosses (four searing brights and a creamy white). The testers are out on counters now, but the products aren't available for sale until 11 January.

In other news, I really am trying to hold off spending any more money on cosmetics (of all types) until the Suqqu spring collection is released in a few weeks as I anticipate some frenzied purchases (plus I don't actually need any more make-up blah blah). See pictures on Rouge Deluxe here and tweeted by @Suqqu_PR here